Piano-driven electronic pop with a romantic soul, combining the emotional intensity of Tori Amos with a spacious backdrop of luscious synths and dance floor beats to create a distinctly modern brand of pop sophistication.

Details

Contents

#		Title	Length	Sample
1		Stare Out The Window	4:09
2		April's Bonfire	3:42
3		New Year's Eve	3:27
4		Long Distance Martyr	3:57
5		Now I Know	3:21
6		Guilt Reflected	3:56
7		Ordinary & Free	4:01
8		Faces	4:01
9		Acting Class	4:24
10		For Good	4:53
11		Souvenir	4:05
12		Until Last Night	2:48

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Description	Amount
Bitmunk Marketplace Service	USD $0.98
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CD Baby 9% Digital Distribution Cost	USD $0.54
Bitmunk WebBuy Service	USD $0.60
Bitmunk MicroPayment Service	USD $0.03
Total	USD $8.11

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Description

Brian Hazard of Color Theory creates piano-driven electronic pop with a romantic soul, combining the emotional intensity of Tori Amos with a spacious backdrop of luscious synths and dance floor beats to create a distinctly modern brand of pop sophistication. The instrumentation of 2002's Something Beautiful falls somewhere between a rock band and a Broadway musical: piano, vocals, fretless bass, drums (courtesy of the legendary Jonathan Moffett), string quartet, vibraphone, flute, and harp. The Southern California one-man band has been stirring emotions since the 1994 release of Sketches In Grey. 1997's Tuesday Song includes a daringly non-fiction song used for a real-life marriage proposal. 1999 heralded the release of Perfect Tears, which was so intimate that it was promoted through a series of personal ads. 2001's Life's Fairytale further explores Hazard's electronic tendencies, and includes the song "Ponytail Girl", mistakenly traded around the world as a Depeche Mode B-side.