The aim of this work is to find a common denominator for music sorcery in different traditions of the world. This CD is an experimental fusion of music folklore from Asia, Africa, Europe, Russia, Ancient Kuzhebar, experimental jazz and contemporary sample

Details

Contents

#		Title	Length	Sample
1		Intro	1:07
2		Song of the Far Lands	5:59
3		Jae Koro-Nim	7:06
4		Kuo Ke (ancient Kuzhebar mantra)	2:12
5		Twisted Dance 7/16	3:38
6		Siberian Meditative Song	1:50
7		Indian Flood in Europe	4:30
8		Dance in a Curved Area	3:26
9		Searching the Trace	9:30

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Description

Vladiswar Nadishana is a russian virtuoso multi-instrumentalist and composer from Siberia.
He plays on more than 50 instruments, including self-maded. His style is the modern world fusion or ethnic jazz.
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About this CD:
The aim of this work is to find a common denominator for music sorcery in different traditions of the world. This CD is an experimental fusion of music folklore from Asia, Africa, Europe, Russia, Ancient Kuzhebar, experimental jazz and contemporary sampler surgery. The recording method for this album was overdubbing.

Vladiswar Nadishana plays on: mandola, dzuddahord, kalyuka, bansuri, zhaleyka, overtone flute, khomus, ac. guitar, fretless bass, voice, various ethnic flutes and percussion, computer.

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In 1990 along with studying at the Cinema Engineers Institute in Sankt-Petersburg he began his self-education in playing guitar. Then he mastered other instruments like fretless bass guitar, sitar, mandola, chanzy, jew's harp, ethnopercussion (darabuka, djembe, kalangu, udu, frame drums); winds (bansuri, quena, kalyuka, zhaleyka, gayda). Besides he has created some experimental musical instruments: dzuddahord, pruzhingum, plastrimbaphon, rablorrum, ghostcatcher, pin-sansa, spring-pivot-gamelan, banbang (preparated beer- and coffee-tins) etc.

In 1991 he founded his first group Soulbuilding Society" together with Lavrenty Mganga, then he played in Ensemble Ri with Lavrenty and Youl(1996). He also launched two other projects with Youl: Phonic Duet(1994) and The Fourth Race (2001). 2000 - was the foundation year of a trio Russian-Tuvinian Karma Knot with a throat singer from Tuva, Ayas Holazhyk. Vladiswar also plays in the group Capercaillies at the Treshold of Eternity. In Berlin he works with famous ethno DJ Genetic Drugs and with Ramesh Weeratunga, a musician from Sri Lanka . All these groups and artists create music based on an experimental synthesis of musical traditions from all over the world. (ethnojazz, trance-ethno fusion, new world music etc.)

Since 2000 Vladiswar lives in Tibercul the biggest ecovillage of the world. There he established The Department of Sound Microsurgery (DSM) . DSM is a creative research laboratory, tackling a wide variety of project: from mastering unknown ancient musical instruments to investigating the influence of modern sound electronics on the human energy structure.

The Department researches also how musical instruments influence the consciousness and inner organs of the human body (the project Move Your Chakra!).

One of the latest projects is the creation of an original energy-dancing system and composing the music for it.

V. Nadishana created some solo albums in his own studio recording with computer using a multi-track overdubbing method. Vladiswar possesses a big collection of musical instruments (more than 100)from different parts of the world. He is laureate of the international festivals Ustuu-Huree, The Sayan Ring and New Songs of the Old Lands, and he is also the founder of the ethnofestival Free of Karma Zone.

Since 1998 V. Nadishana engages active research in regeneration the technologies of alternative layers of reality creation, as it exists in aboriginal culture of Ancient Kuzhebar. The examples of this technologies are music, dance, visual art, motional practices , psychosomatic performances, special practices of mental and emotional energy transformation etc. Some of it introduced on this site (this site, of cource, one of this technologies). This research is strictly practical - each researching technology practicing like a lifestyle.