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Ultimate Backward
Gravity Tree
Experimental progressive rock; one foot firmly placed in a modern guitar theme park, the other floating in the 8th dimension. Some would call it music...
Details
Collection (audio)
Contents
| # | Title | Length | Sample | |
|---|---|---|---|---|
| 1 |
|
No Rest Part III | 6:36 |
|
| 2 |
|
Wind | 1:42 |
|
| 3 |
|
Aim to Please | 5:33 |
|
| 4 |
|
Interference | 8:43 |
|
| 5 |
|
Conversing with the Dead | 5:58 |
|
| 6 |
|
In | 1:37 |
|
| 7 |
|
Can | 4:31 |
|
| 8 |
|
Wait | 3:19 |
|
| 9 |
|
Go Away | 6:11 |
|
| 10 |
|
Motion Sickness | 5:55 |
|
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Royalties
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| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk WebBuy Service | USD $0.60 |
| Bitmunk MicroPayment Service | USD $0.03 |
| Total | USD $8.10 |
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Description
Ten songs in all comprise the latest studio monster experiment Gravity Tree has cooked up: ULTIMATE BACKWARD.
The latest CD features several brand new songs, including the next musical chapter in the NO REST journey, NO REST PART III; and WAIT, a favorite on many music website playlists when it was released early as an album preview piece. A few more old Gravity Tree prog 'standards' finally make it off the stage and into the recording studio. These include CAN (known live as "the Funk Tune"), GO AWAY (whose early live working title was RAIN), MOTION SICKNESS, and the band's live intro piece, IN. Also brand new is the nearly 9 minute epic, INTERFERENCE. And featured on the album is AIM TO PLEASE, previously only available on the Bay Prog compilation CD (released a couple of years ago by Expose Magazine in limited quantities). It's now available to everyone, on ULTIMATE BACKWARD.
Finally, one of the band's oldest pieces is released for the first time. To answer the musical question "what does punk and prog rock have to do with each other", comes the musical adventure that defines Progressive Punk, CONVERSING WITH THE DEAD (Just in case you thought we weren't experimental).
This ain't Top 40. Listen if you dare...